Mastering Color in Photoshop CS4 (The Nuts and Bolts) By Matt Kloskowski

Duration
1 hr 22 min
Lessons
17
Download
Assets

In this course you'll learn the main colors spaces that really matter (the ones you'll be working with the most), how to set up Photoshop for a color managed workflow, and the best ways to save your images for predictable results when it comes to printing and the web.

Video transcripts available with a subscription.

Instructor Matt Kloskowski introduces himself and talks about what the course will cover
The three RGB color profiles that you will using the most with this course
Set the default color settings for your workspace when you open Photoshop
Making sense of the color mismatch dialog box and what to do when this occurs
RGB is generally used in the larger part of workflows but some projects require CMYK
Converting from one color profile to another
An introduction to screen calibration and steps on how calibrate your monitor
How viewing conditions affect color
Using ICC profiles to get an accurate soft proof of your image before printing
Going through the four different rendering intents inside Photoshop
How to get the color of the image on screen to match the image output to the printer
How these factors work inside Photoshop's print dialog
Everyone that shoots in Raw mode should be aware of these
Making your own color profiles with the DNG profile editor
This is the cure for photographers who aren't getting good color quality on the web
Thanks for following along. Hope you learned a lot
Profile photo of Matt Kloskowski

Meet your instructor

Matt Kloskowski

50 Courses

1087 Followers

Matt is the full-time Director of Education for Kelby Media Group and a Tampa-based photographer. He's the Editor-in-Chief of Lightroom Magazine, the lead instructor on the Adobe Photoshop Lightroom LIVE Seminar Tour and author of several best-selling Photoshop books. Matt also hosts the world's top Lightroom blog, LightroomKillerTips.com...

  1. Profile photo of kelbyone@leerigby.net kelbyone@leerigby.net

    The one thing I don’t quite understand here is why set PS to use ProPhoto? I shoot raw and process in LR initially then export to PS as required. I have LR set to send sRGB into PS and I also have LR set to make JPEGs in sRGB. This is because I only ever do one of two things with my photos…. 1) Put on the web or 2) send to a lab for printing… both of which require sRGB and I can’t imagine this ever being any different. But you are saying only convert to sRGB at the end. Doesn’t this mean you could then get some clipping that needs to be dealt with after the conversion? If so whats the point and why not do the whole thing in sRGB from start to finish?

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